Acoustic Diffusion in Open-Plan Offices

Acoustic Diffusion in Open-Plan Offices

By James Hartley ·

1) Project overview: what, where, who, and why

In early 2025, SonusGearFlow was brought into a retrofit project for a 9,600 sq ft (about 892 m²) open-plan office on the 6th floor of a refurbished warehouse building in Austin, Texas. The tenant was a 120-person product and engineering company that had outgrown a quieter suite and moved into a visually striking, mostly hard-surfaced floorplate: polished concrete slab, exposed brick perimeter walls, glass-fronted meeting rooms, and an open ceiling with painted steel deck at 13 ft (4 m).

The stakeholders included the facilities project manager (client-side), the architect of record, the MEP consultant, and our team: an acoustical consultant, a systems tech for measurement logistics, and a project manager focused on installation coordination. The “why” was straightforward: the office looked great but performed poorly. Staff complaints centered on speech privacy, distraction in heads-down zones, and fatigue from “constant chatter.” HR had a measurable retention concern, and leadership wanted an acoustic solution that preserved the open, collaborative feel without turning the space into a grid of cubicles.

The initial request from the client was specifically to “add diffusion.” They had read about diffusion in studios and assumed it was the missing ingredient. Part of our job was to validate where diffusion would help, where it would not, and what combination of absorption, scattering, zoning, and masking would deliver the outcome they actually needed.

2) Challenges and requirements at the outset

The baseline conditions were typical of open-plan offices with modern finishes: high reflectivity in the speech band (500 Hz–4 kHz), long decay times for a non-audio space, and line-of-sight propagation across work zones. We were asked to improve perceived comfort without making the office “dead,” and without obstructing daylight or sprinklers. The client also had strict constraints:

During kickoff, we clarified measurable targets that could be checked post-install:

3) Approach and methodology chosen

We treated the project as an acoustics retrofit, not a studio build. Diffusion was included, but only as one tool. The methodology combined:

Measurement and documentation used practical tools appropriate for an occupied office:

We also reviewed the architectural plan for sightlines, collaboration hotspots (stand-up tables, kitchenette), and focus zones (engineering rows, phone booths). Instead of distributing diffusion randomly, we placed it where it would intercept strong lateral reflections and help maintain a natural sound field after absorption reduced the overall decay.

4) Step-by-step execution narrative

Week 1: Baseline survey and measurements

We performed measurements on a Tuesday night from 7:30 pm to 11:00 pm when the office was empty but HVAC was running at typical nighttime settings. The open floor was divided into five measurement zones: heads-down work area (north), collaboration area (center), kitchenette (southwest), corridor spine, and the glass meeting-room frontage.

Baseline findings:

Week 2: Design development and mock-up

We presented a treatment plan with three layers:

  1. Ceiling-hung absorption baffles over the most reflective open zones to reduce mid/high decay.
  2. Diffusion/scattering elements on select wall segments to reduce harsh reflections and keep the room from feeling acoustically “flat.”
  3. Sound masking to provide consistent ambient sound level and reduce speech intelligibility at distance.

The client was wary of heavy visual changes. To de-risk aesthetics and performance, we built a small mock-up over a 20-desk section using four ceiling baffles and two wall-mounted diffusers. The mock-up ran for one workweek. Feedback from that zone was immediate: fewer “zingy” reflections and less distraction from passing conversations. That feedback unlocked approval for the broader install.

Weeks 3–4: Procurement and coordination

Lead times drove the schedule. PET felt baffles were available in 2–3 weeks; custom wood diffusers were 4–5 weeks. To meet the two-weekend disruption window, we chose stock-finish diffusers and standard baffle sizes.

Coordination tasks included:

Weekend 1: Overhead absorption installation

Friday night, a two-person lift crew and one lead installer laid out ceiling baffles with laser lines to maintain consistent spacing and avoid the “random art” look. We installed 72 PET felt baffles, each 48 in x 12 in x 1 in (1220 x 305 x 25 mm), suspended at 10.5 ft above finished floor to preserve sightlines and lighting distribution. Spacing averaged 24 in on center in the densest zone and 36 in on center elsewhere.

We concentrated baffles above:

Weekend 2: Diffusion, partial wall treatment, and masking rough-in

Diffusion went primarily on the glass-frontage sidewalls and on a brick segment opposite the kitchenette. We installed 18 two-dimensional QRD-style diffusers, each 24 in x 24 in x 4 in (610 x 610 x 100 mm) in a prefinished birch veneer. These units were selected for broad scattering in the upper midrange (roughly 800 Hz and up), where speech reflections were most objectionable. We avoided deep one-dimensional diffusers because they protruded too far into circulation paths.

In addition, we added 10 fabric-wrapped broadband absorber panels (48 in x 24 in x 2 in, mineral wool core) in targeted locations where diffusion alone would have been counterproductive—namely, the direct reflection points opposite the most active talk zones. The goal was to prevent “ping-pong” reflections across the glass and the corridor.

For masking, we used a networked sound masking system with 32 plenum-rated emitters hung above open zones, grouped into four zones. We ran power and control cabling during Weekend 2 but delayed final tuning until post-install measurements confirmed the revised acoustic baseline.

Week 5: Commissioning, tuning, and post measurements

After installation, we repeated measurements in the same five zones at similar times. We also performed a walking speech test: one talker at normal voice (about 60–62 dBA at 1 m) at the kitchenette, while an evaluator noted intelligibility at set distances along the corridor and into heads-down zones.

5) Technical decisions and trade-offs made

The biggest trade-off was correcting the initial misconception that “diffusion fixes open offices.” Diffusion can reduce specular reflections and flutter, but it does not reduce overall sound energy the way absorption does, and it does not stop direct-path speech. In an open-plan office, intelligibility at distance is the enemy; diffusion alone can sometimes make the space feel subjectively louder by spreading energy more evenly.

Key decisions:

6) Results and outcomes with specific details

Post-install measurements showed consistent improvement:

Timeline and budget performance were also tracked:

7) Lessons learned and what could be done differently

Several practical lessons emerged:

8) Takeaways applicable to other projects

The end result wasn’t a silent office—nor should it be. It was an open-plan environment where conversations stayed local, sharp reflections were tamed, and the acoustic character supported both collaboration and focus. For project managers, the most replicable insight was sequencing: quantify the problem, reduce decay with overhead absorption, apply diffusion where it solves a specific reflection issue, and only then tune masking to meet privacy goals without overcorrecting.